KP-2-086 (0) - Cultural Policy and Cultural Industries

• Media culture 2017 (media analysis) - Common professional studies for media culture
• Media culture 2018 (media analysis) - Common professional studies for media culture
• Cultural management 2012 - Cultural sector
• Cultural management 2013 - Cultural sector
• Cultural management 2014 - Management of cultural sector
• Cultural management 2015 - Management of cultural sector
• Cultural management 2016 - Management of cultural sector
• Cultural management 2017 - Management of cultural sector
• Cultural management 2018 - Management of cultural sector
• Cultural management 2019 - Cultural leadership, cultural policy and international arts operations
• Cultural management 2020 - Cultural leadership, cultural policy and international arts operations
• Cultural management 2021 (plan for year 2-4) - Cultural leadership, cultural policy and international arts operations

4 (2022-03-14 to 2022-07-31)

Swedish

Compulsory

First

2

5 cr

The student

- knows the structures of cultural policy and
administration and is able to function within
these fields
- understands the professional field of culture
and is able to follow
the field via media, studies and current debates

The student

- knows the structures of cultural policy and
administration and is able to function within
these fields
- understands the professional field of culture
and is able to follow
the field via media, studies and current debates

Culture and Culture

Why is cultural policy interesting?
Culture Producer and Culture Policy
Course structure:
Tasks:

Why is cultural policy interesting?

We who have cultural policy do not always
understand the benefits of
it.
And then it may be good to compare with someone
who does not
have a culture policy. "There is not a single Arab
country that has a
cultural policy." Makars do not see culture as an
asset, but as a
threat, because it leads to reflection and
questioning. ", Says the
cultural producer
Basma El Husseiny in an article in SVD
(http://www.svd.se/kultur/en-ny-kulturgryning-for External link-
egypten_6164999.svd fetched
04.03.2015)
So cultural policy concerns reflection and
questioning. But not just
that. Culture producer Basma El Hussein meets in
Egypt people who want to express themselves, but
"- They do not
know how to organize themselves, how to organize a
book fair, how
to promote
say how to work across borders. And they receive
no money from the
state, which only supports the old institutions,
which everyone has
stagnant. "So cultural policy is about the right
to express themselves,
organization, equality, distribution, funding and
democracy. And
that's just part of what cultural policy is about.
So the course is tailor made for you who think
reflection, questioning,
the right to meet, equality, funding issues,
distribution and
democracy are relevant elements in our society.
In addition, the course includes
- how art has increasingly begun to be linked to
business policy,
- the contradiction that exists in the cultural
and cultural aura of
creativity and innovation, on the one hand, and
the stability and
inertia that characterize many cultural
activities.
- Autonomy and politics of art
That Finland has a eurovision participant like
Pertti Kurikan
Nimipäivät, a festival like the Baltic Circle, a
center library, the world's
densest gallery network, cultural education, a
independent theater
field, a film industry has to do with people who
want to express
themselves, have to do it and also have an
infrastructure which
supports them in this. This whole infrastructure
depends on people
you appreciate the expressions that exist in this
sphere and wants to
support it both politically and financially.

Culture Producer and Culture Policy

As a cultural producer, you often end up in a
situation where your
festival, your event, your theater production,
etc. way towards other
investments.
The cultural producer's task is to make art and
culture visible in
society. If a politician asks you questions like
"what's culture," "Why
is art important?", You must have a convincing
answer to it. You must
know the essence of your business and be able to
argue for the
culture.
Course structure:
The course begins by developing your knowledge
current trends in cultural policy and cultural
policy debate.

Day 1-3.
Learning Objectives:
You:
- develops insight into how art and creativity
Handled politically politically both nationally
and internationally
develops an insight on how to work with new
business models for art
- Learn central concepts for cultural policy
- Attend workshops on culture and cultural policy
To do:
You:
- read texts for today's time study opportunity
- You develop your ability to debate such topics
as you or someone
else considers to be central to cultural policy
and or society.

none

Kulturpolitik 1& 2

None

Literature in itslearning in connection with
assignments

• Lectures - 20 hours
• Excursions and demonstrations - 10 hours
• Individual- and group instruction - 55 hours
• Individual studies - 50 hours

• Total workload of the course: 135 hours
• Of which autonomous studies: 135 hours
• Of which scheduled studies: 0 hours

Multiform education

Essays, reports, productions and portfolio

4 wholes

Task 1&2) Cultural policy debate, oral and written
presentation (20 points)
Task 3) Hemtent individual part (30p)
Task 4) Seminar (20 points)
Task 5) Cultural Heritage
workshops (20 points)
Task 6) Activity (10p)

Grade 5: 90-100 p
Rating 4: 80-89 p
Grade 3: 70-79 p
Grade 2: 60-69 p
Grade 1: 50-59 p
Fail: 0-49 p

P stands for points.
Thus, the minimum required to pass the course 50
points gain obtained from all five modules or
minimum 3
wholes.

• Träskman Tomas
• Ådahl Susanne

Träskman Tomas

https://arcada.itslearning.com/ External link

No limit (26 students enrolled)

12 months after course has ended

2022-02-28 to 2022-03-27

Date will be announced later - Reports and productions